Tuning the body
You may know that in the last few years there has been an explosion of interest in the study of mind. In particular, there has been a blossoming of studies of consciousness, of the subjective aspects of our mental lives, of experience. Much of this work has been interdisciplinary. How could it not be? Philosophers, psychologists, neuroscientists, not to mention linguists, mathematicians, roboticists – and yes, artists have been getting in to the act.
What is striking is that whereas for years consciousness lacked respectability as a topic – this was the influence of behaviorism and linguistic analysis – consciousness has now become respectable again. Some of the enthusiasm for consciousness studies is driven by philosophy, by new philosophical approaches. And some of it is driven by technology. In the last decades new imaging technologies have emerged that make it possible to begin to theorize about the neural basis of experience in the brain. Before the emergence of these technologies – CAT, PET, MRI – autopsy was basically the only way to bring the brain into view.
The imaging studies raise their own problems though. Just what do these computer generated pictures tell us about the ...
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His work is focused on everyday movement, the functioning of the body, how we navigate physically and how the mind and the body work together to compose our movement. He is one of the founders of Movement Research in NYC. He has taught and performed at dance centers, including: The Trisha Brown Studios, NYC; The American Dance Festival; P.A.R.T.S.; Tanzfabrik...
Finnish choreographers Arja Raatikainen, Jyrki Karttunen and Alpo Aaltokoski have circled around Europe with their latest pieces so assiduously, that they have managed to present the pieces in Finland only twice. They hardly complain about the situation, but Finnish viewers have surely been wondering whether they will see the pieces at all. Nomadi’s in-demand...
They said he could not do it, that it was too late and his body was not right for movement. He responded by developing a path that has its origin in memory and the continuous redoing of the movement. Paulo Ribeiro, one of Portugal’s most important choreographers, reacted to criticism with choreographies that deconstructed the Portuguese “fado“ with tense humour and...
