The Alkis Raftis affair
CID stands for Conseil International de la Danse, a world-wide organization formally linked in a consultative capacity to the humanitarian organization UNESCO. It was founded almost 35 years ago by Kurt Jooss and has more than 2300 members today – both individuals and organizations – in 140 countries. It has national committees and permanent programmes, of which the best known in Greece, the home-country of its president, is the (over-ambitious) annual Dance Research Congress.
Despite its list of members in this country, it has not managed to gain widespread trust or be recognized as anything other than a lobbying and canvassing body for “dinosaurs” and people “cut off from the reality and needs of the contemporary dance scene of Greece.”
President Alkis Raftis has been through a lot of upheaval over the past year-and-a-half. Behind the distinguished façade of the institution, there has been intense opposition to Raftis’ presidency, leading to various accusations, ranging from embezzlement of funds to his unsuitability for the position of president, and law suits. One wonders, then, what the true nature and potential of such an organization is, and whether CID is just about ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Jan Lauwers’ weiße Bühne ist sein Markenzeichen, ebenso wie das transdisziplinäre Miteinander, Durcheinander und Füreinander. Tanz, Text, Musik, Film, Skulpturen. Lauwers ist ein Essayist der Bühne. Er zeichnet die Welt nicht im Portrait, sondern in ihrer Art zu funktionieren. Durch simultane Zeiten und Räume. Der weiße Grundton erlaubt, sie ineinander zu weben....
Gundula Peuthert, frisch berufene Direktorin, unterzieht das neu formierte Tanztheater Görlitz einem Testlauf, um die Reaktion der Besucher zu testen, die durch Peutherts sämtliche Vorgänger Ballett geboten bekamen. Mit Witz und Feingefühl schaut die Choreografin ihren multinationalen Tänzern auf Körper, Mund, Gebaren und macht Eigenheiten und Naturell zum...
Sigmund Freud and Joseph Goebbels both became concerned with dance as symptom. The question they asked of dance was whether it conveyed a healthy state of mind or the opposite. There the similarity stops. After reading an essay on inhibited movement by young Edwin Denby (who became America’s great dance critic), Freud began to considered dance from the perspective...
