Miyako Yoshida
Miyako Yoshida is one of the most popular principal ballerinas of the Royal Ballet in London of
recent years. Joining the Royal Ballet in 1995, she danced nearly all the major classical roles, including Odette/Odile, Aurora, Juliet, Giselle, Kitri and many others. She began her training in Tokyo at the age of nine and was awarded the Prix de Lausanne as a promising young dancer at the Lausanne International Concours in 1983, which gave her the opportunity to study at the Royal Ballet School under the excellent tutorship of Sir Peter Wright.
Miyako Yoshida subsequently danced for the Sadler's Wells Royal Ballet (now the Birmingham Royal Ballet) and was promoted to principal ballerina in 1988. In 2004, she was appointed UNESCO Artist for Peace. After 10 years at the Royal Ballet, Miyako Yoshida decided to make a break and set the points for a new future. At the start of the 2006/2007 season, Yoshida joined the K Ballet Company, led by Tetsuya Kumakawa, a former colleague at the Royal Ballet. K Ballet is a growing ballet company based in Tokyo, with such esteemed members as Kazue Yasumura and Yuko Arai as well as Tetsuya and Stuart Cassidy as principals and Viviana Durante as a guest ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Am 15. Dezember 2006 jährte sich zum zwanzigsten Mal der Todestag Serge Lifars. Schon zum dritten Mal seit 1986 widmete die Opéra de Paris dem ersten männlichen Étoile ihrer Geschichte eine getanzte Hommage. Doch weit mehr als Tänzer, war Lifar Mentor, Erneuerer, Choreograf und Theoretiker. Sein Pech war, dass seine Blüte in die 1930er und 40er Jahre fiel und dass...
Wer nach dem einfühlenden Portrait der Altkanzler-Gattin «Hannelore Kohl» glaubte, Johann Kresnik sei altersmilde geworden, sieht sich getäuscht. Bei der Uraufführung seines ersten Teils von Richard Wagners «Der Ring des Nibelungen» in der Oper Bonn floss Blut wie in alten Zeiten – aus aufgeschlitzten Rheintöchtern, aus dem abgehackten Geschlechtsteil Alberichs,...
Cuba is theoretically a republic but where ballet is concerned it is indisputably a monarchy, ruled by the iron will of 86-year-old prima ballerina assoluta Alicia Alonso. Although her chauffeured dark blue Lancia flies no official flag its licence plate, “Cuba HVX 789,” is as notable as that of any high-ranking government official.
The International Ballet...
