Helping dancers through a difficult transition
Dancers may think they choose their profession. More accurately, they have been called to it. Dancing is thus not a job but a vocation. It requires passionate commitment. As in general, the decision to become a dancer often defies the rational considerations that inform people’s career choices.
Generally, except for a fortunate few, the dancer’s career is insecure and badly paid. Dancers face regular periods of unemployment, often without insurance, and may have to supplement their income with other work.
Worst of all, the dancer’s performing career rarely endures beyond early middle age. Aside from injury, which can put a premature end to a promising career, most dancers are routinely expected to relinquish the stage by the time they are 40, an age when many other performing artists are just entering their best years. Only the most exceptional dancers succeed in prolonging their performing careers beyond this point. Instances where companies have emerged to present and celebrate the still admirable expressive talents of mature dancers are all too rare.
Dancers, enabled by a culture of silence and denial that included teachers who had suffered personal withdrawal pains, preferred ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
In Yanira Castro’s Beacon, audience members file warily into the plexiglas and red curtained viewing booths which transform observers into witnesses, jurors, executioners, saviors. At first, the booths are lit so we see not the dancers but ourselves, reflected, before the lighting flips to the stage. We are in a drained swimming pool surrounded by the sturdy brick...
The official opening of O Vertigo’s new subterranean Creation Centre at the Montréal’s largest performing arts complex, Place des Arts, marks a new stage of development for the company, celebrating its twentieth anniversary. Federal and provincial governments invested over CDN$ 554,000 into the project, which involved major renovations to the former PdA set storage...
Das wird die große Leistung Giorgio Madias in Wien bleiben: In nicht einmal zwei Spielzeiten hat der gebürtige Milanese an der Volksoper ein eindrucksvolles Ensemble aufgebaut, das auf klassischer Basis zeitgemäßes Ballett tanzt. Auch wenn der mit choreografischen Ambitionen veranlagte Ballettchef es nicht gern hört: Er ist vor allem ein hervorragender Maître de...
