Urban space
Create, intervene within the cities despite constraints imposed by increasingly severe security rules … Artists’ “actions” in urban settings are becoming more and more difficult to put into place. Unless they foray into new terrain …
What is the artist’s place in the European urban space? Posing this question amounts to questioning the “street” artists as to their relationship with the occupation or “jostling” of new artistic territories, while also contemplating the reception that European cities offer artistic acts within their walls.
José Rubio, the technical director of the Parc de la Villette (Paris) is right in reminding us that “investing in the public space through an artistic act is often experienced as the expression of an inalienable freedom.” However, our societies have taken on the goal of insuring the security of its citizens under all circumstances, and most notably those of a demonstration in the public space.
The street professionals in Europe have massively deplored the appearance of numerous constraints hindering artistic creation: security guards between the audience and the show in Great Britain, children being forbidden to attend street demonstrations in ...
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Cisco Aznar
In seiner «Andrógena de Minas» meint eine Figur zynisch: «Der wahre zeitgenössische Künstler ist ein selbstsüchtiges, sich im Luxus tummelndes Biest. Einen Inhalt vermitteln? Ist doch Quatsch! Das machen Politiker besser. Die romantische Auffassung von Kunst ist überholt.» Nun wäre es falsch, daraus zu schließen, Cisco Aznar habe sich der Romantik...
The use of the body as living raw material during a performance enables the artist to reduce the distance between himself and his art work. Even before any activity takes place, the body manifests itself in both a material and a temporal dimension by its simple presence. The arrival of performance art during the 1960s followed man’s desire to use the human form...
“That spring day in 1994 on the Croatian island Krk was one of the most special days in my life,” says Marko Peljhan. On this island in the Kvarner Gulf, where there were practically no tourists in the first half of the 1990s, he – together with a team of co-workers with whom he was contemplating his third performance – set off for a location marked only by a...
