Michael Keegan-Dolan
His house stands on a site saturated in ancient magic, atop a hill aligned to the positions of the morning sun and waning moon. A megalithic barrow tomb, long famed for ghostly activity, shares the windy crest. Many would say this is the perfect location to find Michael Keegan-Dolan, a man intensely attuned to the dark side of nature. From this eminence he can gaze over the rolling Irish countryside beneath him: a three hundred and sixty degree panorama that encompasses Ardagh and Ballynacarrgy and the green infinity of the horizons.
The house, built as a school in 1830, has walls made from local stone, a concrete extension, no running water and no roof. It looks like a ruined cathedral in miniature and the whole location has the crackling magnetism of a place where ley lines cross and weird things happen. Keegan-Dolan arrives on foot in work clothes spattered with mud. He emanates unfettered enthusiasm as he steers me around the piles of stones, sand and tiles on the site. Paragraphs of information pour out of him in an articulate torrent of rural lore, astronomy and geology. I find his feral joy contagious but perceive that others might find it intimidating. What is irrefutable ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Der Boulevard kreißte und gebar ein Skandälchen. Den alten Rampen-Revoluzzer Kresnik mag’s gefreut haben, dass die einschlägigen Blätter nach seiner gewagten «Hannelore Kohl» empört taten – anders als das Publikum. Wenn Helmut Kohl auch verlauten ließ, Kresnik missbrauche die künstlerische Freiheit, so kam der Kanzler a. D. doch glimpflich davon. Der notorische...
Alicia Markova was one of the greatest ballerinas of the twentieth century and her career is already perceived as one of the most significant in the history of dance. She was the last living link to Serge Diaghilev and her passing marks the end of an era. Born Lilian Alicia Marks on 1st December 1910 she was a child star at the age of 10 and joined Diaghilev‘s...
Alvin Ailey American Dance Theater’s two premieres aimed to please as many people as possible, with partial success. David Parsons, in “Shining Star,” created a super-sweet confection offering little except surface, like a cream puff with no nutritional value. “Love Stories,” a choreographic collage, offered more by mixing styles and dynamics, but was weighed down...
