Elisabetta Terabust
Born in Varese in 1946, Terabust trained at the Opera di Roma ballet school and became étoile at the Rome Opera House in 1972. She is the VIP 2007 of the Italian ballet world. Recently appointed director of La Scala Company, to start on 1st September 2007, she takes over from Frédéric Olivieri, who has been appointed director of the Milanese ballet school following the retirement of Anna Maria Prina.
It is the second time Terabust has taken the helm at the Scala Company.
She previously resigned from the same position after four years (1993-1997), during which she discovered and promoted such talented young dancers as Roberto Bolle and Massimo Murru. If the usual disputes with artists’ trade unions persuaded her to quit that time, we will have to wait and see if she is now able to manage – not solve, of course – the problem, while still assuring the quality of the company.
Her taste as far as repertory is concerned is linked to her professional experiences, from Bournonville (partnering Erik Bruhn) to Tetley and Milloss, having danced for many years with the former London Festival Ballet (now English National Ballet) in Great Britain, for Roland Petit, whom she often invited to ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Meg Stuart accomplished an extraordinary “tour de force” this year, presenting three new shows, working with different people each time. It is remarkable that she can do this without “using” her dancers in the old-fashioned way – as a means to an end, i. e. as people who perform what she has in mind. On the contrary, in all of these three pieces different aspects...
Although dancing is associated worldwide with innovation, the number of dances that are worth seeing twice is diminishing as rapidly as the honeybee population. It’s as if choreographers under 30 were never themselves members of paying audiences. And so it has been up to the dancers to keep outstanding choreography going. This year, Suki Schorer’s painstakingly...
Controversy seems to follow all the career choices of brilliant dancer Ido Tadmor. He started dancing in his early twenties, when his openness about his sexuality was groundbreaking and made life easier for many who followed, though frequent usage of his naked body as an expressive tool didn’t quite catch on locally.
In the last couple of years he has become a...
