David Nixon (english version)
Northern Ballet celebrates its 45th anniversary in March 2015 at an event entitled the Sapphire Gala in Leeds. At a similar gala, to recognise the company’s four decades of existence, the starry international guests were somewhat eclipsed by the dancers of the home company who conclusively proved that being based in a regional city did not inhibit performance of the highest quality. Northern Ballet has picked up many tributes in recent years and is currently nominated for a range of awards by the London Critics’ Circle.
It recently received the accolade of being voted Best European Ballet Company at the Malakhov Foundation’s Taglioni Awards in Berlin by Jurors representing seven countries, who commended the unique repertoire created by the Artistic Director, David Nixon.
Nixon’s company works harder than any other UK dance troupe and will give in excess of 850 performances in 40 cities over the next three years, reaching a live audience of 500,000 people. The Chief Executive, Mark Skipper, stated that by performing in nine new venues in a mid-scale tour the company would reach an additional audience of 54,000. Some of the dancers and staff will remain at their headquarters in Leeds ...
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Tanz Februar 2015
Rubrik: menschen, Seite 20
von Mike Dixon
In the 1960s, James Brown’s brash singing style and aggressive, muscular dance moves revealed a thrilling side of the black male entertainer. “A dancer like James Brown, largely self-taught,” Brenda Dixon-Gottschild writes in her book The Black Dancing Body, “brought footwork to new heights in his fast-paced, raw execution.” The once tortured and lynched, and too...
«Mit seinem rasanten, ungebärdigen Bewegungsstil katapultierte James Brown, als Tänzer weitgehend Autodidakt, die Fußarbeit in neue Sphären», schreibt Brenda Dixon-Gottschild in ihrem Buch «The Black Dancing Body». Jawohl, die Rede ist vom Soul-Sänger James Brown, der ab den 1960er-Jahren nicht nur mit seiner rabiaten Röhre, sondern auch mit aggressiven dance moves...
Nicolai Hübbe has created a new version af August Bournonville’s best loved ballet, ”La Sylphide”, premiered in Copenhagen in 1836. The novelty of Hübbe’s staging lies in his turning the traditional fatal love story of James and the mysterious, magical sylvan nymph into a tale of the fatal love born towards the young Scot by the witch, Madge. Hübbe’s sinister demon...
