Bat-Dor closes its doors
Israel’s last surviving modern repertoire company – founded by Baroness Batsheva de Rothschild three years after she had founded Batsheva Dance Company – has closed its doors, after 38 years of activity.
The Bat-Dor Dance Company which knew better days, suffered from artistic and economic difficulties, for the past fifteen years, that worsened after the death of the Baroness in 1999 which privately funded the company.
Jeannette Ordman, her long life confidant – and Bat-Dor artistic director and formerly its sole étoile, to whom she shifted her alliance and financial support from “Batsheva“ company, shortly had after founding Bat-Dor – looked for public support but failed to comply with the required demands by the ministry of culture. Ordman invested her own funds trying to keep the company and its dance school a float and concurrently fought the government through the all the courts to no avail. Some of the best dancers in Israel grew at Bat-Dor studios but years of unfortunate artistic choices, made the company less and less relevant. Its demise was sad but inevitable.
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
PAF is a place for artistic residencies, a place to work for any period of time on artistic, scientific, political and/or theoretical projects – an open, communal forum for producing knowledge in the context of critical exchange and ongoing discursive practice – a place for autonomy and full concentration on work – a tool to develop new methods and procedures, not...
Dass die Tanzausbildung derzeit in Deutschland hoch im Kurs steht – zur Erhärtung dieses Eindrucks genügt ein Blick auf die Projekt-Liste der Tanzplan-Städte, die von der Kulturstiftung des Bundes mit gut dotierten Fördersummen bedacht wurden. Auch während des von der Kulturstiftung initiierten Tanzkongresses lag ein Schwerpunkt auf der Veränderung der...
For any butoh dancer, it would be a challenge requiring extra determination to recreate “Kin-Jiki,“ based on the novel of the same name by Yukio Mishima. “Kin-Jiki” became a legendary work in butoh. It is considered to be the very first piece by its founder, Tatsumi Hijikata, in 1959. The piece, which literally means “forbidden colour” deals with the theme of...
