Charlotta Öfverholm mit «The Last Forecast»

Prag

Tanz - Logo

“Kody Zivota/the Last Forecast” by Compagnie Jus de la Vie working in the Czech Republic who share a background at the British company DV8. “Kody Zivota” is Czech for human codes, and “the Last Forecast” quotes a poem by Harold Pinter. A mildly provocative piece, it calls into question boundaries of both a personal and a political nature. 

In keeping with its cosmopolitan origins, the performance focuses on identity, power and oppression. Five figures, all identically dressed in black with black hair and black moustaches, radiate a feeling of powerless yet cheerful resistance.

The Balkan mood created by the set and quirky choreography is enhanced by klezmer music, written and performed by musicians James Friedman and Lauri Antila.

The Balkans are widely associated with immigration and concepts like “Fortress Europe.” In this piece, the hardship of immigrant life is symbolised by heavy stones that are carried about and used as building blocks, but never thrown; tomatoes are used for throwing. The audience is encouraged to throw tomatoes at a blindfolded Henrik Bäckbro. I was surprised to see how happily some took part in the throwing while only a few resisted Tobias Hallgren’s ...

Weiterlesen mit dem digitalen Monats-Abo

Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
  • Alle tanz-Artikel online lesen
  • Zugang zum ePaper
  • Lesegenuss auf allen Endgeräten
  • Zugang zum Onlinearchiv von tanz

Sie können alle Vorteile des Abos
sofort nutzen

Digital-Abo testen

Tanz Mai 2007
Rubrik: Der Kalender, Seite 46
von Lena Andrén

Vergriffen
Weitere Beiträge
Angelin Preljocaj über «Eldorado»

Angelin Preljocaj,
bei den Ruhrfestspielen Recklinghausen gastieren Sie in diesem Jahr nicht nur mit ein paar Ihrer erfolgreichen Stücke, sondern mit einer Uraufführung. Eine Auftragsarbeit von Karlheinz Stockhausen. Ich habe vor ein paar Jahren sein «Helikopter-Streichquartett» interpretiert. Vier Jahre später schrieb er mir einen Brief, in dem er mich in sein...

Mark Morris

Mark Morris is one of the rare American choreographers who direct opera. That’s why the Metropolitan Opera‘s May production of Gluck's “Orfeo ed Euridice,” directed and choreographed by Mark Morris, awaits eager anticipation. Prior to Morris, Balanchine, who directed “The Rake‘s Progress” in 1953, was the last choreographer at The Met. Morris choreographed “Platée”...

Refreshing return to the flesh

In my mind Keren Levi is one of the few artists in the Netherlands concerned with what one might call “The Authenticity of the Body;” a mode of thinking that is so fundamental that it incorporates the whole of the human experience. In her aesthetic, the body is brought back to a centred state of reality involving an organic unity, making it a vehicle for either...