Steven McRae

Tanz - Logo

“One or two slips but unusual tricks – Cossack leap finish” was my first impression of Steven McRae after his “Corsaire” in the semi-finals of the Prix de Lausanne in 2003. He went up a few more notches after his contemporary variation – Conny Janssen’s “Gigue:” “good
timing, dynamics, personality.” But what made me, if not the entire audience and jury, really fall for competitor 122 was his terrific tap dance – “Untitled, Opus 13,” choreographed by Glenn Wood.

Blistering beats scorched the stage instantly erasing dozens of Auroras from our
Petipa-sated memories. The rest was history. Aged 17 years and one month (the Swiss like to get things precise!), McRae scooped the top scholarship prize and headed for the Royal Ballet School in London. He also picked up the gold medal at the Genée Award.
Born in Sydney, McRae trained with Hilary Kaplan, under whose coaching he attained the RAD Solo Seal. In London, his progress was keenly watched by the School’s Australian
director, Gailene Scott. Noting his exceptional talent, she cast him with Josephine Pra in
Petal Miller-Ashmole’s showcase “La Favorita” pas de deux in the divertissement programme at the British Young Dancer of the Year in ...

Weiterlesen mit dem digitalen Monats-Abo

Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
  • Alle tanz-Artikel online lesen
  • Zugang zum ePaper
  • Lesegenuss auf allen Endgeräten
  • Zugang zum Onlinearchiv von tanz

Sie können alle Vorteile des Abos
sofort nutzen

Digital-Abo testen

Tanz Jahrbuch 2005
Rubrik: Hoffnungsträger, Seite 102
von Emma Manning

Vergriffen
Weitere Beiträge
Sean Dorsey

Sean Dorsey choreographer/performer, is the most refreshing phenomenon in dance theater hereabouts. A queer artist, born female, who prefers the pronoun “he,” Dorsey employs exquisite tact to make tender dances. Using the manners, gestures, glances, shrugs, shirkings of contemporary American masculinity, Dorsey makes mimed/danced stories of young love, which...

Rhythm Is It!

«Rhythm Is It!» ist ein Blick hinter die Kulissen. Ein Werkstattfilm, der die Geschichte eines außergewöhnlichen Projekts erzählt, das 2002 von der Berliner Philharmonie unter der Leitung von Sir Simon Rattle initiiert worden ist. Unter Anleitung professioneller Musiker und Choreografen bereiten 250 Kinder und Jugendliche aus Berliner Grund- und Oberschulen – in...

Unknown Cultural Policy

My text is dedicated to the “Unknown Cultural Policy” in Greece: to the pompous announcements on the “Scandinavian model,” the “Central-European model” and “the Academy of Dance;” to the various Panoramas and Festivals which have no selection process; to the ongoing cult of the Olympic Games, still, a year after they took place; to the countless studios opened by...